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Senlin Ascends, by Josiah Bancroft, was a novel I picked up on a whim and took me quite by surprise in its excellence. The author has a florid, flowing writing style that serves as a perfect match for both the Victorian-Steampunk setting and the main character’s academic nature. This selfsame protagonist, Thomas Senlin, was indeed the primary reason for my enjoyment of the book. He is a bookish, quiet man whom I found it remarkably

John MacDonald rode the rails during the worst years of the Great Depression. In his journal, Waiting for the Train, he combines the grittiness of Studs Terkel with the romanticism of Woody Guthrie. Warner House Press will publish the journal for the first time later this year. In the meantime, follow us here on Facebook and on Twitter at @warnerhouseprss for some great excerpts.

One service offered by Warner House Press is copyediting, but what exactly does this entail? Less intensive than developmental editing, but more comprehensive than proofreading, a copyediting session involves checking spelling, grammar, syntax, and formatting issues throughout the document. Not only that, but special attention will be paid to consistency in formatting and content; things like plot holes or accidental contradictions. The only thing not covered by copyediting is improvements and advice on the writer’s own

Warner House Press offers a variety of editing services to suit any writer’s need. In this post, we’ll take a look at the most basic of them: Proofreading. When most people think of editing, they probably think of this service. Proofreading focuses on correcting grammatical, spelling, and syntax errors; making certain that the author’s work is a professional and presentable finished product. While it does not engage with the manuscript as deeply as other services,